The Map Preceeds the Territory
Excerpted from "Nature, Manipulation and the Hybrid: Ceramic Sculpture Today," by Kate Bonansinga. Published in the exhibition catalogue for Full and Spare, Florida State University Museum of Fine Arts, 2008.

The Perfect World
Artist Statement by Jeanne Quinn Confluence
Project Description

Multiplicity
Review by Amy V. Grimm, Multiplicity: Contemporary Ceramic Sculpture
Review by Katherine Bovee, Multiplicity (NCECA Roundup Part III)
Exhibition Catalog Excerpt, Bigger, Better, More: Multiplicity in Context, by Stephanie L. Taylor and Vincent Burke.

Valentine (Chandelier)
From Strata: New Perspectives on Ceramics from Scandinavia and the United States. Exhibition catalogue, Stockholm: Skulpturens Hus, 2005.
Curatorial statement by Lisa Tamiris Becker.

Sex Pots
by Paul Mathieu. Piscataway, New Jersey: Rutgers University Press, 2003. Published simultaneously by A & C Black, London; Verlag Paul Haupt, Bern.

Perfect Lover
Artist Statement by Jeanne Quinn
Review by Marcus Cain, "Craft is a Given, Concept is Key"
Exhibition Catalog Excerpt, "Material Speculations," by Donald Kuspit

Where I Live, This is What the Sky Looks Like
Artist Statement by Jeanne Quinn
Curatorial Statement by Britt Yngveson, "Keramiker på små moln" (Ceramicist in the Clouds). Sydsvenskan, Malmö, Sweden, October 25, 2003, p. C20. Translation by Jennifer Forsberg.

I am Penelope, I am not Penelope
Artist Statement by Jeanne Quinn

Neither/Both
Artist Statement by Jeanne Quinn